Collection: UPLOAD

104 products
  • Designs for the Printed Page, Fortune Magazine [Leo Lionni]
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  • Phototypesetting Fonts; Directory Catalog, 1983 (Russian)
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  • 107 Graphic Designers of AGI: Franco Grignani [Large Poster]
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  • IDEA 100 — International Advertising Art Magazine, 1970 [Massive Compendium]
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  • New York New York [N.Y.N.Y.] designed by Richard Danne [Danne & Blackburn Inc.]
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  • Alphabet Thesaurus, Volume 3 Photo Lettering, Inc. [Edward Benguiat]
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  • REECE Corporate Identification Manual [Graphics Standards, 1970s]
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  • Graphic Design Manual: Principles and Practice [Armin Hofmann, Hardcover]
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    $85.00
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  • Karl Gerstner: Review of 5 x 10 Years of Graphic Design [English Edition]
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  • IBM Design Program, Seminar Folder [Design by Paul Rand]
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  • Basic Color: An Interpretation of the Ostwald Theory by Egbert Jacobson [Morton Goldsholl]
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  • Poster: The Fort Worth Art Museum: That's Entertainment ... 1976 [Massimo Vignelli]
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  • H.N. Werkman : Documents in the Visual Arts, Vol. 2 [Fridolin Müller]
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  • Herb Lubalin Exhibition Poster: No More War! [Ginza Graphic Gallery, Japan]
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  • Inspired Typography ’56 : Exhibition Announcement and Call for Entries [Herb Lubalin]
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  • Trademarks and Symbols of the World by Yusaku Kamekura, 1965
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  • Schweizer Signete – Trade Marks and Symbols, 1948 [Walter Herdeg]
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  • Planning for Industry, Art & Education: As Executed by Pieter Brattinga
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  • Max Huber Grafica 1940—1990 [Chiasso Exhibition Catalog, Achille Castiglioni]
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  • PM: An Intimate Journal for Production Managers, Art Directors and their Associates [Bauhaus]
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  • PM: An Intimate Journal for Production Managers, Art Directors and their Associates [Lester Beall]
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  • Wet Paint Martin–Senour: Point-of-Purchase Display [Morton Goldsholl]
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  • IDEA 156 — International Advertising Art Magazine, 1979 [Wolfgang Weingart]
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  • IDEA 154 — International Advertising Art Magazine, 1979 [John McConnell]
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  • IDEA 108 — International Advertising Art Magazine, 1971 [Cover: Eiichi Hasegawa]
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  • Visuele Aspekten van de Wetenschap [Visual Aspects of Science] by Will Burtin
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  • Lufthansa Collection: Corporate Identification [Otl Aicher, c. 1970s]
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  • George Tscherny : Minimum Means Maximum Meaning — Five Decades of Graphic Design
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  • Theater Basel 06-07 : Book and Ephemera Collection [Müller + Hess]
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  • American Wood Type, 1828-1900: Notes on the Evolution of Decorated and Large Type [Rob Roy Kelly, 1st ed. Hardcover]
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  • Octavo Redux 1:1 — a record of Octavo, journal of typography 1986–1992 [Unit Editions]
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  • A bis Z : Organ of the Group of Progressive Artists, Germany; 1929–33 [Limited Reprint]
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  • Design & Style 6 — Surrealism [Steven Heller, Seymour Chwast]
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  • Design & Style 2 — Streamline [Steven Heller, Seymour Chwast]
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  • Dutch Graphic Design 1918–1945 [Alston W. Purvis]
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  • Stand by: NBC News [John Graham, Promotional Book]
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